|
Kairi |
A green mango. |
|
Kairi Buti |
A floral motif in
Indian textile design, based on the form of a green mango with a
light curve at the tip. |
|
Kalabatton |
Silver-gilt thread,
used in embroidery. |
|
Kalgha |
A popular motif in
Indian textile design, broadly cypress-shaped and curving to one
sides at the top; crest. |
|
Kali |
Gore wedge-shaped,
triangular piece of cloth. |
|
Kalidar Ghagra |
Ghaghra (q.v.) made up
of many gored pieces and thus flared in early Sanskrit
literature. |
|
Kanjari |
Blouse like garment,
worn a little long in front and generally backless, held
together with tie-cords, with no shaped parts like cups. From
Sanskrit Kanchuki. |
|
Kantha |
A mat made of fine cotton, hand quilted with
cotton thread. The motifs are embroidered in running stitch
using coloured cotton threads. |
|
Kantop |
Literally, 't0Pi, worn
around the ears'. This kind of cap covers the ears and the back
of the neck to protect these parts from excessive heat and cold. |
|
Kapadu |
Cloth used to cover the
breasts. In Rajasthan and Gujarat a simple choli-blouse is
sometimes referred to by this name. |
|
Karchobi Work |
Work similar to zardozi
(q.v.) in which gold or silver metal threads are sewn on to
satin or velvet with metallic threads to yield the effect of
true embroidery. |
|
Kasnis |
Tie-cords or strings
used for tightening. |
|
Katoris |
Cups; the word is used
to describe breast-cups as in a choli (q.v.) or angia (q.v.). |
|
Iaedryun |
A short jacket, often
richly embroidered, worn mostly in Kutch and Saurashtra, in
combination with an embroidered payjama (q.v.). |
|
Kimkhab |
Silk fabric brocaded
with silver and gold. The metal thread used for brocading is
made from a fine strand of flattened metal wound over a core of
silk, using yellow silk under gold, and white silk under silver. |
|
Yjshtinuam |
(topi) Boat shaped cap,
worn close to the head. KULAH |
|
Kurdi |
A jacket or coat meant
for outerwear. The garment popular under this name in Persia was
known in India as a nadiji (q.v.). |
|
Kurta |
Variously described in
the dictionaries as "a tunic, waist coat, jacket, shirt", the
kurta became popular in the 18th and 19th centuries essentially
as a slightly loose-fitting garment for outer wear, often with a
round neck, of knee-length or even longer, with side-slits at
the hem and generally flared skirt. It acquired great elegance
as a garment in centers like Lucknow and Hyderabad. |
|
Kurti |
A shirt-like garment,
with most of the features of a kurta (q.v.), but often worn a
little shorter. When worn by women, it is defined as 'a short
bodice reaching to the hips, with very short, if any, sleeves,
open under the throat.' |
|
Labeda |
A loose, tunic-like
garment worn by men, mostly in Nepal. Possibly from Persian
libada. |
|
Lehariya |
A pattern in which wavy stripes are formed by
a certain dyeing technique. |
|
Lehnga |
A kind of skirt. Worn
generally in combination with an odhani, which is tucked into it
at the waist. Possibly derived from Sanskrit lanka, standing for
the waist, and anga or limbs. |
|
Lungi |
A garment-piece worn by
men, as a long, straight skirt-cloth. |
|
Mandeel |
A kind of decoratively
worn turban. |
|
Mang-Tika (Manghtika) |
Head-locket worn along parting of hair in the
middle of the head. They have tiny hooks that can be attached
directly to your hair or to pins in your hair. |
|
Mashru |
A fabric woven of silk
and cotton, the warp of one material and the weft of the other.
Literally, 'that which is in accordance with the shara, Muslim
holy law, which disapproves of an arel made of silk. |
|
Mirzai |
A kind of jacket, often
understood as a 'quilted coat'. it was generally worn sleeveless
over a shirt as outer garment; worn sometimes also next to the
skin, without anything underneath it. |
|
Moshla |
A cap, worn usually by
children, covering, apart from the back, the back of the neck
through a long, suspended flap. |
|
Moti |
A bead or pearl. |
|
Mughlai Paijama |
A payjama (q. v.) of
the 'Mughal' cut. |
|
Mukaish |
Tiny disks of beaten Silver or Gold are
carefully sown onto delicate fabrics to give it a shimmering
look. |
|
Mul |
Cotton, usually in reference to Indian
muslin, particularly the muslin woven in Bengal. |
|
Nadiri |
A kind of jackets, worn
as an outer garment. The Emperor Jehangir described it in his
Memoirs as "a coat they wear over a qaba. Its length is from the
waist down to below the thighs, and it has no sleeves. It is
fastened in fror4t with buttons." |
|
Nath |
A pin or ring traditionally worn on the nose
by Indian women. (The nose rings we provide are fitted so that
the wearer does not require a piercing in the nose to wear it.) |
|
Natio |
A kind of cap popular
in Gujarat and Rajasthan. It consists generally of a woven piece
and headband, with a long flap, which hangs at the back to cover
the neck. |
|
Nimainimatana |
A kind of tunic, a
modified version of the kurta (q.v.), generally made of fine
material. |
|
Odhani |
A veil-cloth for a
woman, often worn tucked into the side of the waist and drawn
upward over the back and the head, the free end being draped
over the shoulder. Literally, 'a wrap'. |
|
Pagri |
Turban. |
|
Paijama |
Trouser-like garment,
worn on the lower part of the body alike by men and women.
Literally, 'leg-clothing'. The payjama was worn in many cuts and
shapes, much variation being seen in respect of girth, length,
tightness, material, etc. |
|
Pairhaniphiran |
Loose cloak-like shirt
reaching down to the feet. Very popular as an article of wear in
Kashmir where it was made mostly of woolen cloth. |
|
Pallu / Pallav |
The decorative end of a saree that is usually
draped over body or left flowing at front/back. |
|
Pashmina |
The wool made from fleece of the chin and
underbelly of the rare Tibetan wild mountain goat. |
|
Patka |
A girdle or kamarband,
worn usually over payjama (q.v.), and often very sumptuous and
decorative. |
|
Patti |
A border or edging, usually made by
super-imposing a strip of embellished or plain fabric on a
finished garment. |
|
Peshwaz |
Long gown-like dress,
consisting essentially of a choli (q.v.) worn rather high to
which a front-opening skirt is attached. The garment was worn at
an early point by men, too, but is essentially to be regarded as
women's apparel. Worn with much refinement and elegance 'on
occasions of household festivals'. Literally, "front-opening". |
|
Petia |
An apron-like piece of
cloth attached to the lower end of a choli (q.v.) or kanjari
(q.v.) and hanging down so as to partially cover the stomach. |
|
Petticoat |
A long flared draw-string skirt, worn
underneath a sari to give it shape. Most of the sari is tucked
into the waist band of the Petticoat and the end of the sari is
draped over the shoulder. |
|
Phulkari |
Literally, "flowered
work". Term used for a type of embroidery practiced by women in
the Punjab for head-veils and other garment-pieces. The
embroidery is worked in floss-silk upon coarse cotton cloth, in
darning stitch over counted threads, being worked from the back
of the fabric. |
|
Press mark |
Undesirable shinning
lines on the right side of the garment due to incorrect ironing. |
|
Pucker |
To draw up into folds
or wrinkles |
|
Qaba |
A full-sleeved garment
for outer wear, worn by men, closely related to thejama .
William Thevenot who saw this garment frequently at the Mughal
court spoke of the "caba of the Indians" being "wider than that
of the Persians, and 1 cannot tell how to express the manner of
it more intelligibly, than by saying it is a kind of gown with a
long jerkin fastened to it |
|
Qamis |
A shirt. Cf. French,
chemise. |
|
Resham |
Fine needled embroidery done with silk thread
by skilled artisans. |
|
Sadri |
A sleeveless jacket
worn over a shirt or kurta, alike by men and women. The name of
this popular garment derives possibly from aura, 'the upper part
of the human breast'. |
|
Salwar / Shalwar |
Baggy drawstring trousers gathered at the
ankle. Usually worn with Kameez and Dupatta. |
|
Sari / Saree / Shari |
A length of cloth with a decorated end panel
draped around the body, traditionally worn by Indian women.
Usually 5.5m to 9m in length and worn over a short/ long blouse
and matching long flared skirt. |
|
Sarong |
A strip of cloth worn around the body,
especially in Malaya. Worn around the waist or body in
contemporary fashion, especially as part of beach/ holiday
apparel. |
|
Seam Line |
Is the line which
indicates where the seam should be stitched - or it is plainly
the stitching line of any garment. |
|
Sequin |
A circular spangle for embellishment of
clothes. |
|
Sharara |
A kind of loose,
trailing payjama (q. v.) worn by women. |
|
Sherwani |
a coat like garment,
worn by men close to the body, of knee-length, and opening in
front with button-fastenings. Related to the achkan (q.v.);
especially popular at the Hyderabad court and in Aligarh. |
|
Sidha Paijama |
Payjama (q.v.) with a
straight cut. |
|
Suralisurwal |
A breeches-like garment
for the lower part of the body, tight around the legs. Worn
mostly in Nepal and contiguous areas. |
|
Suithana |
Payjama like garment,
worn mostly by women; wide at top and comfortably roomy around
the legs and ankles. Possibly from Sanskrit svasthana, mentioned
in the Harshacharita. |
|
Tahband |
A kind of girdle or
belt. |
|
Takauchiya |
A kind payjama (q.v.).
Abu'I-Fazl describes it in the Ain-i-Akbati as "a coat without
lining, of the Indian form. Formerly it had slits in the skirt,
and was tied on the left side; His Majesty has ordered it to be
made with a round skirt and to be tied on the right side." |
|
Tanis |
Tie-cords or strings
used to fasten or tighten a garment when worn. |
|
Teentah Topi |
A topi (q.v.)
consisting of three different pieces, stitched together. |
|
Tiki |
A round piece;
generally tacked on to a garment. |
|
TopI |
Cap. |
|
Trim |
To cut off the ragged
edges below the seam line to prevent the garment from being
bulky and to give the seam a neat finish. |
|
Tukma |
Small, button-like boss
used in conjunction with a ghundi (q.v.) or loop, for fastening. |
|
Tussar / Tusser |
A type of hand-spun wild silk made in Eastern
and Central India. |
|
Vajani |
A kind of payjama (q.
v.), worn in Kutch and Saurashtra, often richly embroidered. |
|
Zardozi Work |
Work in which gold or
silver metal threads are sewn on a fabric like satin or velvet
with metallic threads to give the appearance of true embroidery. |
|
Zari |
Metallic thread twisted
over cotton or silk for brocading. Also referred to, in popular
parlance, asjad |
|
Zirah |
A kind of coat of mail. |